вЂEdit Selected PathвЂ™В option has a tolerance setting. So, you have to manage these two checkboxes based on what you are drawing. So, you can draw a line and it will remain selected because вЂKeep SelectedвЂ™В option is checked and then you can add on more strikes to it because вЂEdit Selected PathвЂ™В is checked.Дisadvantage:В There is a slight disadvantage if you keep both of your options checked.ДЇor example: if you are drawing a curved line like petals of the flower one after another then having both check-boxes checked can be a bit annoying because you will be editing old paths instead of drawing new ones. However, the next checkbox the вЂEdit Selected PathвЂ™, if you keep itВ checked,В the paintbrush tool becomes drawing and editing tool all rolled into one. LetвЂ™s say you draw a line but you need just a little smoothing then you can hold Alt key on your keyboard to temporarily switch from the paintbrush to the smooth tool then run it over your selected path to push it around and smooth it which is basically removing extra anchor points.ДЄnd when you will release the AltВ key then you will be back to the paintbrush. So, it would be hitting the delete key and trying again.ДЄnother advantage of using this checkbox is that the selected lines are ready to edit with a smooth tool. This option could be very convenient, for instance, if you are drawing any line to just get the right gesture, then it will become very easy for you to draw and delete the line quickly if you keep the option checked. The checkbox вЂKeep SelectedвЂ™В will keep the last line you drew selected.

On the lower side of the dialogue box, there are a few checkboxes. If you want to create smooth swashes or swirls then you need to adjust the number higher with fewer anchor points. If you are tracing something or drawing anything with detail, your slider should be closer to the left side and the numbers will be lower. Now, back to the dialogue box option, adjust the two tolerances settings fidelity and smoothness depending on what you are drawing and how much accuracy you need. You can compare the strokes where there is absolute accuracy on the right side stroke asВ IllustratorВ has added smoothness to it and on the left stroke, it has lesser вЂfidelityвЂ™В tolerance. And you can see all these little anchor points in the outline mode. Now, if I move the sliders to the absolute lowest settings, the line I draw with the brush tool will most accurately represent my motions on the tablet or mouse.ДЄnd that also means thatВ IllustratorВ will plot out every turn you make as you draw and it will add more anchor points on your path to do this. The line I drew had a вЂfidelityвЂ™В setting ofВ вЂ3 pixelsвЂ™В which means it was faithful to my movement on the tablet or mouse within a tolerance of 4 pixels.ДЄnd the smoothness is set as 30%, so illustrator was adding some smoothing to the path as I drew it. More than just two fantastic courses, The Pulpit Club is a facility where the extraordinary is elevated in every way.In the dialogue box, these tolerance settings for вЂfidelityвЂ™В and вЂsmoothnessвЂ™В makes the paintbrush really versatile. Swimming, fishing, skating, tobogganing, hiking and biking are just some of the opportunities club members have at this year-round club. HeвЂ™s right-The Pulpit ClubвЂ™s foundation is great golf, but in recent years it has emerged as a club that connects its members to the magnificent property. Renowned Canadian journalist Lorne Rubenstein said the club has, вЂњTwo of the best courses in the world.вЂќ The Pulpit Club is a private member facility that embraces its remarkable setting, combining two of the best golf courses in Canada with year-round opportunities to embrace the incredible countryside of Caledon, a short drive north of the GTA. Seemingly at once, The Pulpit Club, CanadaвЂ™s most intriguing private club with two 18-hole golf courses at its core, is within view of the city, but also feels a world away. Resting in the distance above the first green at the Pulpit is the silhouette of TorontoвЂ™s distinctive skyline.

The paintbrush